Ismar David

citation for the United Jewish Appeal, NY, 1980

Born in Germany in 1910, Ismar David studied at the Berlin Municipal school of Arts and Crafts and immigrated to Israel in 1932 where he opened a studio for graphic and interior design. in 1953 moved to New York, where he established his studio specializing in calligraphy, lettering, illustration and book design. David also taught calligraphy at the Cooper Union till 1991.

broadside RN Magazine, NJ, 1971

In 1953 Ismar David released one of the most important Hebrew typefaces, David:

David Hebrew font family, 1954

Zapf wrote about him: The work of Ismar David can always be identified by his characteristic style. [...] His expressive drawings, with their undulating linear quality and unusual construction, show his elegant style in every detail.

Peace Blessing, poster, 1976

History of Jewish Hebrew Printing

From the First Illustrated Printed Haggadah, Prague, 1526

The Jewish Encyclopedia's Typography entry:

The art of printing. The invention of printing was welcomed by the Jews as "the art of writing with many pens." From the time of the earlier printers reference is made to their craft as "holy work" ("'Abodat ha-Ḳodesh"). It may here be treated under the two headings of history and characteristics.

I. History:

The history of Hebrew printing is divided into five stages, of which only a sketch can be attempted in this place, many of the details being already treated under the names of prominent printers or presses. The five stages of Hebrew typography are as follows: I., 1475-1500, incunabula in southern Europe; II., 1500-42, spread to north and east; III., 1542-1627, supremacy of Venice; IV., 1627-1732, hegemony of Amsterdam; V., 1732-1900, modern period, in which Frankfort, Vienna, and, more recently, Wilna and Warsaw have come to the front. For the most part Hebrew printing has been done by Jews, but the printing of Bibles has been undertaken also by Christian typographers, especially at the university towns of Europe. These productions, for lack of space, are for the most part to be neglected in the following sketch.

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From a Passover Haggadah, Amsterdam, 1695